Have you ever felt a connection to the history of a place, as if the air itself brought visions of another era? Likewise, have you ever visited a place that felt bland, and lacked any unique identifying features? The difference between those two intangible sensations is often the difference between a city flush with vibrancy, and a city that, while livable, fails to ignite excitement in residents and visitors.
We know that nearly every square inch of the planet has borne witness to some moment of geological or human history—yet many new buildings, landscapes, and even entire new city districts fail to tap into those stories. As landscape architects and urban designers, we endeavor to uncover the thread that links us from the past through to today, and beyond, and infuse those representative symbols into our work.
This symbolic archaeology, however, is not without its challenges. For instance, the scale of human history in other parts of the world is often much different—and much deeper—than what we encounter in our U.S. practice. It is all too easy for Western firms to, taking Chinese culture as an example, inform their designs with worn-out tropes—such as bamboo, the yin-and-yang symbol, or the color red—yet the end results too often feels quaint and cliché. How can we bring the tales of centuries of human development to bear in the landscapes we design today?
We advocate an approach of cultural fluidity, of abstracting the aspects that tap into the local, regional, and national identity and infusing them into a productive and contemporary present. Below, we explore this approach through the lens of our ongoing project work in Jinan, capital of the Shandong Province, China.